SOUNDS LIKE LAND
Thinking with Indigenous Languages
& Plant Knowledge



Sounds Like Land is a podcast series that dives into discussions about Indigenous languages, plants, medicines, gardens, and land. The project aims to foster conversations about language learning and revitalization, as well as share experiences on the land, with medicinal plants, and in Indigenous gardens.
We are developing this podcast through a collaboration of Indigenous students, researchers, artists, storytellers, and sound professionals. Along the podcast’s seven episodes, we will be immersed in conversations and consultations with Language Speakers and Knowledge Holders from diverse Indigenous communities.






WHERE


Each podcast episode will be rooted in a particular region and will be steered by a different Regional Host. This season focuses on communities in British Columbia, Alberta, Manitoba, Ontario, Nova Scotia, and virtual spaces.

WHEN


Spring ~ Winter 2024 | Production
Spring 2025 | Streaming

We are in the midst of developing this exciting program, please stay in touch through social media to receive updates about this work!





PODCAST TEAM



Lisa Myers | Anishinaabe artist, curator and educator, and Finding Flowers co-principal investigator, is our podcast creative director, co-producer and co-host.

Tania Willard | Secwépemc artist, curator, educator, and co-founder of BUSH gallery, is our podcast co-host.
Nigel Robinson | Łuéchogh Túé First Nation, Dene writer, comedian, and Indigenous justice organizer, is our podcast co-producer.

Laura Grier | Sahtu Délı̨nę First Nations artist and printmaker, is our podcast research assistant

Dana Prieto | Argentine Canadian artist and educator, is our production assistant.






What do native plants, flowers and medicines teach us about our relationship to the land?

How does the thriving of native ecologies influence Indigenous people and our growth, governance, culture?  

What seeds are we planting for future generations' love of language and land?








Finding Flowers is supported by the Faculty of Environmental and Urban Change at York University,
the Social Sciences and Humanities Research Council,
and the Government of Canada’s New Frontiers in Research Fund [NFRFE - 2018 - 00485]